Post-Mad Songs

Post-Mad Songs It was born from a series of nocturnal performances in artistic squats of the 1990s, where David Legrand, with out-of-tune instruments, blended raw poetry and absurd cries, halfway between punk and absurd theater.

These songs, improvised in front of audiences as eclectic as they were unpredictable, captured the essence of an era where the body and voice became the instruments of ephemeral and transgressive art.

ChatGPT a dit : A true vocal and gestural laboratory, these performances oscillated between slapstick and tragedy, drawing a fragile bridge between mundane everyday life and a poetic quest for the extreme, while asserting a resolutely avant-garde aesthetic. post-Barjes.

Une esthétique post-Barjes In song, it is defined by the use of dissonant sound structures and parodic texts, blending triviality with poetic depth. It redefines classical musical and narrative forms, situating itself within a critical dynamic where parody becomes a tool for reflecting on aesthetic and cultural conventions